Featuring this amount of talent meant that the set and production had to be on point. Designed by Michael Gill and built by Gearhouse SDS, the set was the perfect balance of light and metal finishes. The lighting was conceptualised and programmed by Mauritz Jacobs of Dream Sets. Jacobs thoroughly enjoyed the task. His basic objective was to light for a live show that had five LED walls to compete with, and also light for the DVD recording.
The show used 1 x grandMA2 full-size, 1 x grandMA2 light and 1 x MA VPU plus MK2 (Video Processing Unit) for control while in the rig 24 x Clay Paky Sharpy, 24 x Alpha Spot HPE 1500, 12 x Clay Paky A.leda B-Eye K10 and 12 x Clay Paky A.leda B-Eye K20 as well as multiple Robe fixtures could be found.
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